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Hybrid Picking for Guitar (Book & CD), by Gustavo Assis-Brasil
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The first complete method for combining pick and fingers.
Topics include: -Step-by-step exercises -Standard Notation and Tablature -CD with examples and compositions included -Learn how to combine Legato, Alternate, and Sweep with Hybrid Picking -Chapters include: Hybrid Picking Lines, Melodic Pairs, 12 Tone Lines, Harmonic Exercises, Permutation Chart, Compositions (Next Week, Study 1, Study 2, Study 3, among others), and much more! Endorsed and used by guitar greats such as Tosin Abasi (Animals as Leaders), Brett Garsed, Carl Verheyen, Steve Trovato, Ben Monder, Alex Machacek, Scott McGill, Guthrie Govan, and many more.
- Sales Rank: #61095 in Books
- Published on: 2005-11-16
- Binding: Paperback
- 128 pages
Review
With Hybrid Picking For Guitar, Gustavo Assis-Brasil has created a hugely valuable resource, in terms of expanding both one's technique and vocabulary. Also, the studies at the end of the book are beautiful pieces in their own right. I highly recommend it. --BEN MONDER, jazz guitarist
(...) Gustavo Assis-Brasil has a unique way of demystifying hybrid picking (...) he introduces musical examples that would have seemed impossible to play before starting to work with the book. (...) Hybrid Picking For Guitar is engaging, informative and great fun to use. (...) After only a short amount of time working with Hybrid Picking For Guitar one gains the desire to keep practicing and develop this incredibly useful technique. The study periods will be well rewarded, because learning hybrid picking inspires creativity and offers new opportunities for discovery and self-expression. --ALL ABOUT JAZZ.COM, By Ben McDonnell
I am very impressed! The compositions are very deep and the technical tips for playing with pick and fingers are very practical and creative. The book is a much-needed text on the topic. It is exhaustive without being pedantic. Congratulations! It's excellent! --SCOTT McGILL (McGill/Manring/Stevens)
--BackCover
(...) Gustavo Assis-Brasil has a unique way of demystifying hybrid picking (...) he introduces musical examples that would have seemed impossible to play before starting to work with the book. (...) Hybrid Picking For Guitar is engaging, informative and great fun to use. (...) After only a short amount of time working with Hybrid Picking For Guitar one gains the desire to keep practicing and develop this incredibly useful technique. The study periods will be well rewarded, because learning hybrid picking inspires creativity and offers new opportunities for discovery and self-expression. ALL ABOUT JAZZ.COM, By Ben McDonnell --ALL ABOUT JAZZ.COM, By Ben McDonnell
I am very impressed! The compositions are very deep and the technical tips for playing with pick and fingers are very practical and creative. The book is a much-needed text on the topic. It is exhaustive without being pedantic. Congratulations! It's excellent! SCOTT McGILL (McGill/Manring/Stevens) --SCOTT McGILL (McGill/Manring/Stevens)
About the Author
Based in Boston, USA, Gustavo Assis-Brasil began playing the guitar at the age of 13. He attended the Federal University of Santa Maria, Brazil, to get his bachelor in classical guitar in 1995. During those years, he worked as a studio musician, private teacher and played with some important bands and projects (Nocet, Bichofolha duo with Guilherme Barros). In 1995 he was featured in Guitar Player Magazine - USA (Spotlight session). In 1999 he got a full scholarship to get his Master Degree In Jazz at Berklee College of Music and The Boston Conservatory. His main teachers were Mick Goodrick (Gary Burton Quartet, Pat Metheny), Wayne Krantz (Leni Stern, Steely Dan, Michael Brecker), Hal Crook (duo w/Joe Diorio), Ed Tomassi, Dave Fiucsynski (Screaming Headless Torsos), Rick Peckham, Larry Baione, and currently Charlie Banacos and the South Indian 'guru' Prasanna. Gustavo also had master-classes/lessons with Pat Metheny, Frank Gambale, Mike Stern, Dave Liebman and John Scofield. He is also the director of the Jazz and Contemporary Music Department of the Cambridge School of Weston and teaches at Berklee College of Music's Guitar Sessions. Also as a teacher, Gustavo taught clinics at GIT, Guitar Institute of Technology, Los Angeles, CA; University of Southern California, Los Angeles, CA; Berklee College of Music, Boston, MA; UFRGS, Brazil; Federal University of Santa Maria, Brazil; University of Passo Fundo, Brazil. In 2005, Gustavo released the book Hybrid Picking for Guitar. This book is the first method entirely dedicated to the art of combining pick and fingers to play the guitar. The book is in its 3rd edition and it has been receiving praise worldwide. Gustavo performed/recorded with John Stowell, Dig Trio, Frank Potenza, Richard Smith, Sandro Albert, Hiromi, Tony Grey (John Mclaughlin), Prasanna, Greg Hopkins, Brett Wilmott, Garo Saraydarian, Tony Gaboury, Matthew Nicholl, Tim Ries (Rolling Stone
Most helpful customer reviews
3 of 3 people found the following review helpful.
Not 100% perfect, but still unbeaten.
By Alexander Piccini
Is the ultimate bible for hybrid picking. At the same time that it is part of the small group of books about the topic, it also dismiss several others you eventually would need because it is very solid. So far (page 90 out of 120), the only negative point I've seen is that the book's progression is a little bit exhaustive and may demand you more determination than usual.
It totally pays off after page 80 (more or less). Gustavo's creative style brings you amazing examples that are really exciting for those into jazz and general guitar freakness (haha).
There's nothing better when it comes down to hybrid picking 101!
It's a must!
15 of 16 people found the following review helpful.
Great Study Batman!
By Amazon Customer
This is a great book, an extra tool for modern sounds. I would suggest this book to anyone looking to increase their vocabulary of technique. But...I thought there would be more exercises in there, especially for 35$ It was a little light on the information. It starts with right hand stuff, gaining independence from one finger to the next. But then he goes atonal, there's not really any formula to what he does other than play the string with nearest finger. I would've liked to get some more linear things, scales, how he fingers them, and common arpeggios, not in 5's, like straight dominant, or maj,7th's would've been nice, he then give lines to go over chords and then his studys. It actually reminds me of classical guitar, through memorization, rather than pure improvisation. Don't get me wrong I liked the book, I was just expecting a little more from this guy, I mean you have to hear him play, amazing!
0 of 0 people found the following review helpful.
Happy customer!
By Abi!
Great book, meet my expectations and more! Superb customer service from seller Bibliosession. I definitely recommend. :D
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