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- Sales Rank: #757723 in Books
- Published on: 2000-09
- Original language: English
- Number of items: 1
- Dimensions: .64" h x 9.33" w x 11.87" l,
- Binding: Hardcover
- 128 pages
Amazon.com Review
In a word--wow! If ever a project existed that bore proud witness to the vital link between our industrial past and our digital future and between art and community, it is MASS MoCA, the sprawling, ever-evolving modern-art complex carved out of a cluster of abandoned brick factories in the Berkshire-backdropped town of North Adams in western Massachusetts. Opened to international fanfare in 1999, the overnight cultural mecca was the result of a grueling, stop-and-go, 13-year collaboration among art-world principals, local and state leaders, and the architecture firm of Bruner/Cott & Associates. All those involved labored to find sufficient funds and the right design approach to retrofit the 27-building, 13-acre site, most of which was built in the 19th century, into a fluid facility for 21st century art, performance, and technology.
This handsome volume of 100 color and black-and-white photographs, produced largely by the museum's founders, is an exhilarating documentation of a uniquely inverted design process in which a tight budget, the site's status as a national landmark, and the built-in abundance of existing light and space all demanded that the architects subtract more elements than they add. Thus, we're treated to a profusion of before-and-after photos where we can see how a few of the lesser or more far-gone buildings were demolished to create pathways and sight lines for visitors; how others had whole floors knocked out to create cathedral-like, sun-soaked galleries; and how empty, asbestos-scarred former workrooms became light-as-air hosts for massive installations by such artists as Robert Rauschenberg and Mario Merz. The volume is also bookended with essays by MoCA director Joseph Thompson and principle architect Simeon Bruner that narrate the completion of this fascinating architectural jigsaw puzzle in greater detail.
Several photos show the gleaming new galleries, performance spaces, and outdoor courtyards alive with museum-goers--but in so many places, the imposing, time-stained red brick and massive original posts and beams have been left untouched. Their hulking, workaday visibility makes it impossible to forget the site's industrial roots or the thousands of local residents (mostly women) who once labored there--and whose children and grandchildren accounted, fittingly, for a vast majority of the first people to step through the doors of this truly forward-looking nexus of creative and technological potential. --Timothy Murphy
From the Publisher
The result of more than a decade of careful planning, designing, and building, the newly opened Massachusetts Museum of Contemporary Art pays tribute to nearly a century’s worth of industry, labor, and commerce. Located in the college town of North Adams in a series of old mill buildings that once housed a textile factory and later an electrical company, Mass Moca is a stunning example of intelligent, civic-minded architectural gentrification and visionary planning.
The story of how Mass MoCA came to be—from its conception in 1986 to its opening in the fall of 1999—is eloquently told in words and pictures in this beautifully designed volume. More than 100 black and white and color photographs document the painstaking transformation of a 19th-century mill complex, listed on the national Historic Register, into a museum that would house the world’s largest collection of contemporary art. Museum Director Joseph Thompson offers a fascinating history of the site and his struggles to get the project off the ground, as well as a curatorial essay that reveals how the AIA Award-winning complex blurs the traditional lines between production and exhibition space to offer unique opportunities for artists and visitors alike. In addition, drawings and comments by the architect highlight the challenge to maintain the original integrity of the site and its classic 19th-century architecture. A unique and triumphant story of successful interaction between postindustrial concerns and historic preservation, Mill to Museum is a lesson in how architects, artists, citizens, and government can work together to transform not only a building—but the very way we experience art and architecture.
About the Author
Joseph Thompson is MASS MoCA's founding director who has spearheaded the project for twelve years.
Simeon Bruner is founding Principal of Bruner/Cott & Associates.
Nicholas Whitman is the author of A Window Back: Photography in a Whaling Port.
Most helpful customer reviews
0 of 0 people found the following review helpful.
Four Stars
By Andy A
Book is good. Though it would have been nice for a bit more history.
0 of 0 people found the following review helpful.
Five Stars
By PSheridan
Do not miss this museum!!!!
3 of 3 people found the following review helpful.
MASS MoCA Is a "Platform Rather Than a Box."
By Donald Mitchell
Throughout the last 100 or so years, artists, collectors and curators have debated what a museum should be. Unfortunately, most museums are buildings that immediately focus on art as icon. Many contemporary artists want just the opposite. MASS MoCA represents a breakthrough in establishing a new sort of museum. Its purpose is to "mount in-depth quality work that would otherwise remain unseen for lack of properly scaled, appropriately tools facilities." That purpose has also been expanded to include being a location for the performing arts, both outdoors and in a theater.
Located 5 miles from the Williams College museum of art and 35 miles from Tanglewood in North Adams, Massachusetts, MASS MoCA adds an important new element to a major cultural center (especially in the summers).
The story of the museum is also very interesting, having been based in a rundown series of converted mill buildings that had housed manufacturing since 1768. Most recently abandoned by the Sprague Electric Company (who originally took it over from the Arnold Print Works -- makers of printed fabric), the facility covers 13 acres and over 780,000 square feet of building space. Originally, Massachusetts had planned to provide most of the funding. A recession and change in political leadership greatly slowed the progress, and much of the funding eventually came form private donors.
The book has many wonderful elements. The director, Joseph Thompson, has a fine essay explaining the museum's roots and concept. The architect, Simeon Bruner, also weighs in with his thoughts about the design along with drawings of his plans. The pieces de resistance, however, are the wonderful photographs of the site (both before and after) in black and white and color that capture the transformation. These were done by Nicholas Whitman, and started before the museum was planned. He and his father had both worked in the Sprague plant, and he wanted to preserve the memory of the space before it was torn down. There are some stunning side-by-side photographs of before in black and white, with after in color with beautiful art on the walls.
Most of the current photographs were taken during the 1999 grand opening of the museum, which I had the pleasure to attend. The classic piece that defines MASS MoCA during that opening was the display of Robert Rauschenberg's "The 1/4 Mile or 2 Furlong Piece" from 1981, which can only easily be displayed in full in MASS MoCA. There are also nice photographs of Natalie Jeremjenko's "Tree Logic" and James Rosenquist's "The Summer in the Econo-Mist." There are some fine John Chamberlain sculptures as well.
This book is a great resource to have for any contemporary art lover, or someone who is interested in new museum forms. I also recommend it as a working document for a museum still in progress, for most of the development of the MASS MoCA site is still ahead. If you are a museum trustee or are planning a new museum, you should read this book, as well.
I should admit that I collect contemporary art, and love to visit collections of contemporary art. If you share that love, you'll adore MASS MoCA!
Abolish your stalled thinking about what a museum is and should be! Also, be sure to give yourself a treat, and visit MASS MoCA soon. It's well worth a special trip from Boston, New York, or Philadelphia.
Donald Mitchell
Coauthor of The Irresistible Growth Enterprise (available in August 2000) and The 2,000 Percent Solution
(donmitch@fastforward400.com)
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